But as more and more white people moved into cities, they lost their connection to working the land.  In recent years, the most advanced white people have quit their jobs, moved to the country and opened artisanal dairies and small scale radicchio farms.

However, not all white people have the ability, or the trust funds, to quit their job and follow their food-based passions.  Some white people have to get their fix by picking their own fruit.

Many of you might be familiar with the process of harvesting a crop, some of its more intense variations are often referred to as “migrant labor” and “slavery.” Under these conditions, laborers are expected to work extremely hard in order to live up to large expectations about their fruit picking output.

When white people harvests a crop it’s known as “berry picking” or “pick your own fruit.”  Under these conditions, white people are expected to work leisurely with no real expectations and then they pay for the privilege to do so. In other words, berry picking is the agricultural equivalent to a private liberal arts college. It’s no surprise white people like it, because much like a liberal arts degree it feels like you’ve done real work when you really haven’t.

Of course the easiest way to turn a profit with this information would be to start your own fruit picking farm. But that is only looking at the small picture. It is well established that all white people enjoy doing manual labor under watered down and expensive conditions. So, if you are currently working in a job that requires intensive amounts of work, you should consider using that work space to create what is essentially an adult daycare for white people who would like to spend an afternoon learning how to use a loom or pretending to be a construction worker.

Note: if you encounter a white person who is actually good at manual labor they are either some kind of performance artist, writing a book, or the host of a show on HGTV.

It is not hard to understand why white people love Conan O’Brien, he embodies so many of the things they already like before he even opens his mouth: Ivy League Schools, Red Hair, the Boston Red Sox, Self Deprecating Humor, The Simpsons, and Bad Memories of High School (likely, but not confirmed). Seeing him on television five nights a week is a comforting reminder of community to the white people who still have televisions.

But if your plan is to try to use Conan O’Brien as a way to get white people to become more interested you, then it is imperative that you understand a few key rules. Firstly, all white people love “the masturbating bear,” if you don’t know what this is, do not worry. Just state your love for the character, and the white person you are talking to will simply fill in the rest. Secondly, all white people believe that Andy Richter never should have left the show. And finally, you should do your best to develop a “Triumph the Insult Comic Dog” impression. All white people already have one, so you might as well try to fit in. Complete these steps and watch your friendship with white people become considerably smoother.

Now, the biggest and most important thing to remember is to never, under any circumstances bring up a Conan O’Brien sketch or joke that has taken place in the last three years. You will be met with only blank stares. For you see, while white people will fiercely support Conan O’Brien in any public forum, they always fail to support him in the only way that actually helps – by watching his show.

Note: Under no circumstances should you ever mention that you prefer Jay Leno. This might cause white people to think you have the same taste in humor as the wrong kind of white people, or worse, their parents.

Stuff White People Like supports Conan O’Brien.

Right now, all white people are either wearing or coveting a pair of Ray-Ban Wayfarer sunglasses.

These sunglasses are so popular now that you cannot swing a canvas bag at a farmers market without hitting a pair. In fact, at outdoor gatherings you should count the number of Wayfarers so you can determine exactly how white the event is. If you see no Wayfarers you are either at Country music concert or you are indoors.

White people love these Ray-Bans because they were very popular in the 1960s and the 1980s. This gives them a historical precedent and allows white people to classify them as “timeless.” That way when they purchase these sunglasses they can talk about how they were inspired by the fashion and music of these bygone eras. When a white person says this, you should just nod and mention how they look like young Johnny Cash, a dead Beach Boy, Audrey Hepburn or an extra from a John Hughes movie. This will make them happy and likely to give you their old, expensive sunglasses that you can sell for a significant profit.

Under no circumstances, should you imply that white people purchased their sunglasses because of celebrities that are not dead or because they saw them on other white people they think are cool. This will make them very upset as white people need to believe that they cannot be persuaded to buy anything.

Saying something like “man, it’s pretty amazing how 65 people at this outdoor concert all decided to get their sunglasses at exactly the same time,” should only be directed at a white person who is not wearing Wayfarers. This will make them feel better about not fitting in, but it will also make them self conscious about their plan to buy a pair.

(Note: a significant amount of white women are still wearing oversized sunglasses but they are a dying breed.)

Hardie Grant UK has just released Stuff White People Like: The Definitive Guide to the Unique Taste of Millions in the UK on Monday 5th October (Retail price £7.99).  It is available from Waterstones, Borders and at Amazon.co.uk.

Also, Stuff White People Like author Christian Lander will be giving at talk at the London School of Economics

Title: STUFF WHITE PEOPLE LIKE – How to find social success with the urban-dwelling middle classes

Date and Time:  Thursday 22nd October, 6.30pm

Location: Sheikh Zayed Theatre, New Academic Building, LSE, 54 Lincoln’s Inn Fields, London WC2

FREE ENTRY!  Arrive early to avoid disappointment!

Keeping up with art is hard; trips to galleries, enormous books, and costly bi-annual magazines are just a few of the many expenses you will incur during the process of attempting to stay current with art. While the challenge and difficult of this proposition would seem to actually attract more white people than dissuade them, the amount of work required to become and remain an expert on art is simply too much for the majority of white people.

Of course there are exceptions such as the people who have invested both their money and their lives into the appreciation of art: people with Art History Degrees. But as you have probably noticed, they have very little value to both you and society. The latter is evidenced by their annual salary while the former is to be determined on a person by person basis.

Currently, the artist who is both cutting edge and easy to keep up with is Banksy, and white people love him. He is anonymous, British, easy to understand, and he works in the medium of graffiti! This last bit is very important since all white people consider graffiti to be art when it looks like something other than a bunch of squiggles. In every other instance, they consider it vandalism.

As with any conversation involving white people and taste you should be forewarned that you are walking into a potential minefield. However, art does not work the same way as Indie Music when it comes to the need to like the obscure.

Here’s how it works: if you say your favorite artist is Vincent Van Gogh, MC Escher or Monet, you will appear as though your taste in art is derived entirely from college posters. This is unacceptable. Conversely, if you list Jeff Koons, Laurie Anderson, Damien Hirst or Basquiat, you’ll look like you are trying too hard but don’t really know what you are talking about. Chances are that white people will assume your art education consists entirely of documentaries, bio pics, and looking up references from Gossip Girl on Wikipedia.

Finally, if you list your favorite artist as a current, bleeding edge visionary who white people have not heard of, they will immediately recognize you as a threat and dislike you.  It is also a certainty that they will call you pretentious behind your back.

Needless to say, it’s complicated. But Banksy is just right. He’s just edgy enough to be outside of the mainstream, but popular enough to be available in coffee table book form at Urban Outfitters. Though if you spot this book on the coffee table of a white person it is strongly recommended that you imply they got the book at a Modern Art Museum gift shop and not at an Urban Outfitters. This will make the evening far more enjoyable for everyone concerned.

If you find all of this to simply be too much work and wish to ensure that white people will never speak to you about art again, there is an easy escape. Simply mention your favorite artist is Thomas Kinkade and that you are in negotiations to purchase an original from the store in the mall. This will effectively end any friendship you have with a white person.

When white people begin talking to you about camping they will do their best to tell you that it’s very easy and it allows them to escape the pressures and troubles of the urban lifestyle for a more natural, simplified, relaxing time. Nothing could be further from the truth.

In theory camping should be a very inexpensive activity since you are literally sleeping on the ground. But as with everything in white culture, the more simple it appears the more expensive it actually is.

Camping is a multi-day, multi-step, potentially lethal activity that will cost you a large amount of both time and money. Unless you are in some sort of position where you absolutely need the friendship of a white person, you should avoid camping at all costs.

The first stage of camping always involves a trip to an outdoor equipment store like REI (or in Canada, Mountain Equipment Co-Op). These stores are well known for their abundance of white customers and their extensive inventory of things for white people to buy and only use once. If you are ever tricked into going to one of these stores, you can make white people like you by saying things like “man, this Kayak is only $1200, if I use it 35 times I’ve already saved money over renting.” Note: do not actually buy the kayak.

Next, white people will then take this new equipment and load it into an SUV or Subaru Outback with a Thule or Yakima Roof Rack. Then they will drive for an extended period of time to a national park or campsite where they will pay an entrance fee and begin their journey. It is worth noting that white people are unaware of the irony of using a gas burning car to bring them closer to nature and it is not recommended that you point this out. It will ruin their weekend.

Once in the camp area, white people will walk around for a while, set up a tent, have a horrible night of sleep, walk around some more. Then get in the car and go home. This, of course, is a best case scenario. Worst case scenarios include: getting lost, poisoned, killed by an animal, and encountering an RV. Of these outcomes, the latter is seen by white people as the worst since it involves an encounter with the wrong kind of white people.

Conversely, any camping trip that ends in death at the hands of nature or requires the use of valuable government resources for a rescue is seen as relatively positive in white culture. This is because both situations might eventually lead to a book deal or documentary film about the experience.

Ultimately the best way to escape a camping trip with white people is to say that you have allergies. Since white people and their children are allergic to almost everything, they will understand and ask no further questions. You should not say something like “looking at history, the instances of my people encountering white people in the woods have not worked out very well for us.”

Note: this works for all races!

It is a guarantee that whenever it is announced that a popular book is being turned into a movie, white people will get upset. This is partly due to their fear that something they love will be made accessible to more people and thus enjoyed by more people which immediately decreases the amount of joy a white person can feel towards the original property. Yes, it’s complicated.

The other problem is that these announcements create a ticking time bomb where by a white person must read the book in ADVANCE of the release of the movie. This is done partly so that they can engage in the popular activity of complaining about how the movie failed to capture the essence of the book. But more importantly, once a book has been made into a movie, a white person can no longer read that book. To have read the book after the movie is one of the great crimes in white culture, and under no circumstances should you ever admit to doing this. Literally dozens of white friendships have imploded when it was revealed that someone read Fight Club after 1999.

So when it was announced that Where the Wild Things Are was being turned into a feature film, white people didn’t immediately get excited at the prospect of this film, in fact a great number of white people cringed when they first heard it was being turned into a movie. This was merely instinct. Immediately, those concerns quickly turned into an opiate-like peace when they found out that the film is being directed by white person favorite Spike Jonze and adapted for the screen by legendary white writer Dave Eggers.

Though the talent and the material has white people in a tizzy, the real excitement comes from the fact that this film is based off a book that is 48 pages long and made up mostly of illustrations. This means that white people do not have to re-read the book until the day they head to the movie theater. Thus freeing them up to watch The Director’s Series: The Work of Spike Jonze DVD which they bought years ago but only watched once.

Finally, and perhaps of most value to you is that the film has generously provided you with an excellent way to test out how many white friends you have. When the trailer was released a few months ago, you should have been inundated with emails, instant messages, and Facebook wall posts about how you need to see the trailer immediately. If you received no word that the trailer was available, then you currently are in possession of no white friends. If you received multiple notices, you should take note about who sent it to you first.

As it stands, every single white person on earth either owns, has owned, or is dreaming about owning a Vespa Scooter.  And why not?  They are Italian, feature vintage design, low emissions, make the rider look more sophisticated, and they carry a little bit of risk. In fact, were it to have a liberal arts degree and a steady income,  a Vespa scooter would possesses every important quality that a white person looks for in a spouse.

In addition to these superficial qualities, there are some very practical benefits to white people.  Namely, scooters are perfect for gentrifying neighborhoods which are often short on parking and heavy on people who are impressed by Vespas.

If you are in search of a fun game, a white person who has recently purchased a Vespa can be a source of tremendous entertainment.  Step One, get them talking about their Vespa (easy).  Step Two, start asking them why they didn’t save money by getting a Honda or Suzuki that gets the same mileage.  Step Three, see how many of the following justifications a white person will use during the ensuing rant:  environment, parking, urban lifestyles, union labor, writers, fuel efficiency, Roman Holiday, study abroad, and being into Vespas before other people.

Finally, the Vespa has produced one of the great paradoxes in white culture.  Vintage Vespas are infinitely cooler than newer ones, but the vintage models produce more pollution than most automobiles. If you know a white person going through this dilemma, just say something like “the amount of energy and carbon used to produce a new scooter will probably cancel out the emissions from your vintage one.”

Problem solved forever.

Depending on the coolness of the white person, they can experience this stage anywhere between the sixth grade and their last year of college.  Regardless of when they went through this phase, every white person can tell you about the time when they had Legend on repeat. If you wish to test this theory, go to any floor in a College Dorm and there is a 100% chance you will find at least one Bob Marley poster.

It is also worth noting that white people tend get into smoking marijuana during this phase.  This is why all white people view the combination of the two as one of the most pleasurable experiences on earth.  But when white people really want to take it to the next level they will combine Bob Marley, Marijuana, a long weekend and some sort of notable outdoor location (beach, cottage, or patio). There are few activities on earth that are more appealing to white people.

The only acceptable reasons for declining participation are a prior engagement at a music festival or a commitment to go camping.

It’s also worth noting that when talking to white people about Bob Marley there is no need to use his surname.  This is because all white people refer to him simply as “Bob.”

Since so many people are into Bob Marley, it is only natural for advanced white people to profess to only marginally liking Bob Marley (note: it is impossible for a white person to outright dislike him).  Instead, these white people will claim to preferring more obscure artists like Burning Spear or Peter Tosh.

But be warned that a white person saying they like “reggae” what they really mean is “reggae from 1965-1983.”

Under no circumstances should you ever bring a white person to a dancehall reggae concert,  it will frighten them.

Note: if you are talking to a white person who is really into Bob Marley, has dreadlocks, and professes to be a Rastafarian, you should end the conversation immediately.  These people are of no value unless you need directions to a WTO protest or have questions about how bad a human can smell.

Photo Abdou.W

Ed Hardy is a clothing company that makes a wide range of expensive t-shirts, hoodies, and jeans.  These clothes are notable for their use of elements from classic tattoo design such as skulls, hearts, and dragons.  On the surface, the use of the words “classic” “tattoo” and “t-shirt” would seem like a logical fit for white people, but it is not.  White people hate these clothes unilaterally and it is advised that you merely accept that at face value.  If you were to ask a white person to explain why a regular size dragon logo is ok but one that goes around the neck is not, you would be trapped in a long and fruitless conversation.

To put this in proper perspective, Ed Hardy is so hated by white people that it cannot be worn ironically.  This is no small feat.  As it stands, the only other entries in this category are Nazi Uniforms, Ku Klux Klan Robes, and self-tanner.

Since you cannot in good conscience have an Ed Hardy themed party, the best way to make use of this white hatred is to give your stories a little more appeal to white people.

For example, if you take the reasonable but not compelling story: “I got cut off in traffic this morning and when I honked the guy gave me the finger,” and replace it with: “I got cut off in traffic this morning by this guy in an Ed Hardy shirt.  I honked and then he gave me the finger!”  The story will become sixty percent more interesting to white people because it allows them to make a witty response like: “I guess that douche bag had to get to a UFC party or a nightclub event he was promoting.”

Follow this up with a laugh, a high five, and a compliment about the acceptable shirt the white person is wearing and you will find yourself with a new friend.