#41 Indie Music
January 30, 2008 by clander
If you want to understand white people, you need to understand indie music. As mentioned before, white people hate anything that’s “mainstream” and are desperate to find things that are more genuine, unique, and reflective of their experiences.
Fortunately, they have independent music.
A white person’s iPod (formerly CD collection) is not merely an assemblage of music that they enjoy. It is what defines them as a person. They are always on the look out for the latest hot band that no one has heard of so that one day, they can hit it just right and be into a band BEFORE they are featured in an Apple commercial. To a white person, being a fan of a band before they get popular is one of the most important things they can do with their life. They can hold it over their friends forever!
Indie music also produces a lot of concerts, for which white people can attend and meet other white people. It’s especially useful, since they are attending the same concert, they both like the artist and can easily strike up a conversation that will flow from band at the show->other bands they like->where they went to/go to school->where to get the best vegan food in town->agreement to meet at said restaurant for awkward date.
It is worth noting that white people are expected to stay current with music and go to concerts well into their 40s. Unlike at dance or hip hop clubs, there are few stigmas attached to being the “old guy at the club.”
But BE WARNED, talking about Indie Music with white people is perhaps the most dangerous subject you touch upon. One false move and you will lose their respect and admiration forever. Here are some general rules
- Bands that have had their songs in an Apple ad are still marginally acceptable
- Bands that have had their songs in ads for other companies are not acceptable
- If you mention a band you like and the other person has heard of them, you lose. They own you. It is essential that you like the most obscure music possible.
Remember, popular artists can turn unpopular in a heartbeat (Ryan Adams, Bright Eyes, The Strokes), so you would be best to stick to the following statements: “I love the Arcade Fire,” “I still think the Montreal scene is the best in the world,” “I would die without Stereogum or Fluxblog“* and “Joanna Newsom is maybe the most original artist today.”
*-do not substitute Stereogum for Pitchfork, as this is one of those things that used to be cool, but is now not cool.
Image: Spaceland in Silverlake.






Pages: [66] 65 64 63 62 61 60 59 58 57 56 … 1 » Show All
XP Mistake,
“But _then_ saying the exact same music is brainless, insensitive, sexist, (insert adjective here) and how much it reminds them of nails on a chalkboard _a week later_.*”
My bad.
The equally popular (believe me) exception to this is liking stuff that is only on the top 40 list, and knowing every single lyric to every single song. But at the same time, saying the exact same music is brainless, insensitive, sexist, (insert adjective here) and how much it reminds them of nails on a chalkboard.*
*Note, a few months later, it is common for those who have said this about said song hear it somewhere, and then say it brings back ‘memories’.
Especially teenagers.
Work on the street is that stereogum is nearly cool again but not pitchfork.
“white people” in this blog does not mean all white people in general. “White people” is usually refer to yuppies, liberals, and yes, hipsters.
Shouldn’t the “white people” you describe be called “hipsters” (as the mainstream tends to calls us) or at least “sane individuals”?
You come off as an uneducated man/woman when you assume that all white people listen to good music. There’s always room for tools among our ranks.
The irony of your statement may be lost on you, as you worship a white devil.
i used to listen to hip hop. tilln i realised white people r being brainwashed to worship these black false hiphop idols. fuck hip hop cultre and fuck any ne whos white and stupid enuff to buy into it.
Pages: [66] 65 64 63 62 61 60 59 58 57 56 … 1 » Show All